My course began with an iconic book by bell hooks and ended, after several other readings, with a beloved text by Parker Palmer. On the last day of class, a white woman student came up to me to tell me how much she enjoyed the course (she had earned an ...
This brief handbook and reference work was designed for college and university students interested in doing research. Charity Hudley, Dickter, and Franz present scholarly research as an exciting way for undergraduates to make the transition from students who learn to scholars who join an ongoing conversation as “masters of knowledge and challengers of the status quo” (5). The authors purposely construct the guide to serve not only as a resource but also as a model of a research-based approach to scholarly writing; they frequently comment on their own working methods and the research process that went into the composition of this text. The resulting book effectively demystifies the world of academia and the work of scholars, making research approachable and appealing.
Throughout the guide, the authors encourage students to pursue their academic and personal interests by becoming researchers, and they provide an impressively comprehensive roadmap for the research process. The book takes a special interest in guiding first-generation college students and students from historically underrepresented populations. The tone is collegial, and the text abounds with concrete advice about navigating the concomitants of scholarly research, from how to email a potential research mentor (80) to how to identify and access campus resources that can assist with time and energy management (49). Chapter 2, devoted to getting started, describes what research looks like across several academic disciplines and details ways different schools support and reward undergraduate research. Personal accounts from student scholars provide additional relatable voices and create the sense of a broad academic community into which readers are invited. The authors also emphasize the importance of sharing research results with a variety of audiences; Chapter 5, “Writing and Presenting Research” (91-116), describes different venues for written and oral communication that increase the impact of a student’s project, including conferences, articles, books, and social media.
A particularly valuable contribution of this book is its focus on empowering students from underrepresented populations. In addition to devoting a chapter to describing challenges that students from minority populations face and some tools for overcoming those challenges (“Underrepresented Scholars in the Academy: Making a Way,” [117-142]), the authors consistently highlight the value of diverse voices and backgrounds, and especially of the new questions such diverse viewpoints can generate. They frame the importance of greater academic inclusiveness and equity in a larger conversation about the powerful impacts researchers can have on their communities, emphasizing the value of interdisciplinary scholarship and community-based research.
Although the book is addressed directly to an audience of undergraduates who are or who seek to become researchers, the authors also model numerous ways to offer such students practical support. Therefore the text may also serve as a valuable resource for teachers, mentors, and advisors who assist student researchers and ensure their success.
My most recent post for “Teaching Islam” deals with some of the stakes in teaching and studying religion at a Catholic college. My colleagues Shabana Mir and Sherali Tareen have also provocatively and sharply addressed related topics of “confessional” and “secular” curricular methodologies, so I’d like to continue the ...
The University of Chicago made news recently because of a letter sent by its Dean of Students to inform its incoming class of freshmen that the University, given its commitment to “freedom of inquiry and expression,” does not support “trigger warnings,” cancel controversial speakers, or condone creation of “safe spaces.” ...
As teachers in religious studies and theology departments, one of our principal pedagogical claims is that we teach students to think critically and creatively, but we are not always clear on what this means in practical terms. This readable book by Robert DiYanni helpfully gathers research and writing from a wide variety of disciplines to help teachers define and apply critical and creative thinking for themselves. The book’s organization makes sense as it leads the reader through concepts, practical concerns, and application. Brief “interchapters” unite the flow of the book around one master of critical and creative thinking, Leonardo da Vinci. Each chapter ends with a well-crafted list of writing prompts to help the reader – both teachers and students – to apply the chapter’s concepts. For example, chapter 4 focuses on strategies and applications of critical thinking, and so the end-of-chapter prompts call on the reader to analyze arguments, evaluate scenarios, and deploy specific critical thinking strategies. Chapter 5, which examines approaches to creative thinking, provides prompts that invite imagination, innovation, and inventive solutions to problems.
Essentials of critical thinking such as asking questions, seeking clarification, gathering evidence, evaluation, and reflection are discussed at length with colorful examples from notable historical events and popular culture. For instance, one chapter features a collection of headlines and other snippets of news coverage of the murder of Kitty Genovese. DiYanni invites the reader to consider what sorts of inferences and judgments various news sources made in response to this famous case (71-74). Another section examines the methods that Sherlock Holmes used in his legendary detective work (109-112). DiYanni argues, however, that critical thinking is not sufficient by itself and can even be reductive and dangerous (xi) if it is not joined by robust creative thinking. He persuasively shows that creative thinking is a necessary adjunct to critical thinking and leads to innovation and whole-minded approaches to problems. DiYanni’s coverage of creative thinking likewise draws on a wealth of examples from creative people such as choreographer Twyla Tharp and checklist-innovator Atul Gawande.
DiYanni’s book thoroughly covers critical and creative thinking, but it may not live up completely to its subtitle, A Brief Guide for Teachers. There is not much by way of specific advice to teachers on how to teach students to be more critical and creative thinkers. Rather, the book reads like a textbook for a class whose subject matter is creative thinking itself. As such, the exercises in the book would have to be adjusted for application to religious studies and theology courses. Another small critique is that DiYanni argues early in the book that cultural forms and social locations, including religion, are “blocks” to critical thinking (10). While we can agree that people’s contexts can limit and define their worldview, religion professors know that it is not particularly helpful to consider religion as a hamper to thoughtfulness. These criticisms aside, this book is a helpful addition to the literature on critical and creative thinking, and its focus on application – even if not explicitly linked to pedagogical advice – provides welcome tools to promote critical and creative thinking in ourselves and our students.