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Mere and Easy: Collage as a Critical Practice in Pedagogy

Lucero, Jorge, ed.
University of Illinois Press, 2016

Book Review

Tags: student identity   |   student learning   |   teaching with the arts
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Reviewed by: R. Jane Williams, Moravian Theological Seminary
Date Reviewed: June 27, 2017
Author Jorge Lucero uses the term collage as a descriptor of a particular art form and also as a metaphor for juxtaposed ideas and themes in his edited collection of articles. Assessing collage compositions in general as stale and conventional, Lucero asks what would make collage a challenging and invigorating form for pedagogy and scholarship and attempts to model one way in his collection of essays. Collage is a form ...

Author Jorge Lucero uses the term collage as a descriptor of a particular art form and also as a metaphor for juxtaposed ideas and themes in his edited collection of articles. Assessing collage compositions in general as stale and conventional, Lucero asks what would make collage a challenging and invigorating form for pedagogy and scholarship and attempts to model one way in his collection of essays.

Collage is a form that uses what one can access in printed images, photographic images, and digital images. One can assemble collages online or by using any of a multiplicity of surfaces and means of attachment. Lucero describes the collage-making process as deceptively easy and seemingly simple. Yet these qualities of “mereness and ease” (6) can enable two seemingly non-related images to create transformative possibilities of a third thing that was hitherto non-existent but is engendered by the creative or cognitive dissonance of a juxtaposition that is non-linear and non-complementary.

This edited volume on collage includes a variety of practical and theoretical papers that become an intentional collage of ideas. Lucero describes his choice and arrangement of disparate paper topics as a way to make this volume “a collage in and of itself” (7). This reviewer found it difficult to resonate or discover meaning in the choice and sequence of articles. Nonetheless, Lucero’s attempt to create a collage of scholarship intended to inspire readers to create a “new sort of some thing” (7) is unique and thrilling.

Among the gems in this book is the chapter by Grauer who conceives of teenagers’ bedrooms as collages illustrating their evolving identity. Describing a bedroom as a canvas on which can be displayed a young person’s “unique artifacts and symbols” (25), Grauer highlights the importance of paying attention to how teens’ rooms offer images to reflect upon, experiment with, explore, and create one’s own identity.

Guyas and Keys relate how an art installation of written scholarly work displayed in a public interactive space can be fertile ground for personal and professional growth. The content and process of the author’s dissertations were displayed in a gallery by hanging individual pages from the ceiling. Art work by the authors was placed on the walls alongside narrative interpretations of the process of art-making. Gallery visitors were asked to record responses or thoughts that occurred as they looked at juxtaposed materials and post their responses on the walls. “The gallery merged from an exhibition/installation into an open studio as visitors added to the evolving collage” (32).

Lucero includes a qualitative study by Stevenson and Duncum of early childhood development. Observing children drawing and then recording the children’s verbal reflections on their collage, the researchers concluded that abstract symbolization through images develops as early as age three. Engaging the children in reflective dialogue is noted as one way to aid three to five year olds in the development of symbolic representations and understanding.

Among the articles included in this compendium are a reflection on Freudian analysis of symbol use in the Little Hans case, an examination of the metaphorical cloning of images, and a verbal collage whose narrative and dialogue overlap but are not clearly related.

Lucero’s collection stretches the reader creatively and uncomfortably to find non-linear and unique connections between disparate articles. Its most useful audience is art educators and art students, although other educators will find several selections to be intriguing and useful in non-art fields.

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Stop Talking: Indigenous Ways of Teaching and Learning and Difficult Dialogues in Higher Education

Merculieff, Ilarion and Roderick, Libby
University of Alaska Anchorage, 2013

Book Review

Tags: difficult conversations   |   epistemologies   |   indigenous learning   |   student learning
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Reviewed by: Lisa Withrow, Methodist Theological School in Ohio
Date Reviewed: November 30, -0001
In 2009, authors Ilarion Merculieff and Libby Roderick participated in the second of two higher education projects sponsored by the Ford Foundation’s national Difficult Dialogues initiative. This project was designed to “turn the tables” on traditional academic professors so that Alaska Native people would become their own teachers (iii). This book, Stop Talking, tells the story of the second project, laid out in a format that parallels the experience gained ...

In 2009, authors Ilarion Merculieff and Libby Roderick participated in the second of two higher education projects sponsored by the Ford Foundation’s national Difficult Dialogues initiative. This project was designed to “turn the tables” on traditional academic professors so that Alaska Native people would become their own teachers (iii). This book, Stop Talking, tells the story of the second project, laid out in a format that parallels the experience gained in a faculty immersion workshop with Alaska Native teachers, followed by an ongoing community of inquiry (chapters 1-5). The final chapters show the nature of change in pedagogy designed by faculty participants for one academic year and the assessment of the entire project, reflections, and strategies for changing higher education through indigenization (chapters 6 and 7).

The goal of this project was to instill deeper understanding of traditional indigenous worldviews, issues, and pedagogies by fostering respect for different ways to be teachers and learners (x). Sixteen faculty members participated in experimenting with Native ways of teaching and learning and introducing “difficult dialogues” regarding Alaska Native concerns during a week-long intensive workshop. The flow of the intensive time together is outlined in the first four chapters.

The format for teaching during the workshop included much silence, a slower pace, and no note-taking. Learning occurred by non-verbally internalizing that which was important because words, in the Aleut tradition, are considered a constraint on intelligence, getting in the way of living in the present; therefore, ground rules for the intensive workshop included paying attention to being part of a whole through deep connection, often wordless, thereby making one a “real human being.” Participants learned that Native pedagogies occur out of teaching practices such as slowing down to be in relationship with each other and the Earth, close observation and emulation, use of all senses in silence, storytelling, dance, and games. Participants used these practices throughout the week during daily workshops, and were invited to think about the courses they normally teach in light of such practices. The difficult conversation topics followed later in the week, when faculty participants began to deal with the institutional racism and the Western methodology of science and research used in institutions that ignores or devalues Native ways of learning and teaching.

During the intensive, faculty began to integrate the particularity of their course material with a wider, deeper pedagogy. Afterward, the group agreed to meet monthly for one academic year to continue their community of inquiry. They conducted formal assessment of their work, and engaged in deep reflection together.

Roderick’s call to this indigenizing of higher education is important: “If we can do these two things – learn from these ancient cultures fresh ways of approaching the tasks of learning while simultaneously working to overthrow the ongoing legacy of colonization that still plagues modern indigenous peoples – we will have accomplished a great deal” (ix). Indeed, such work is essential for equitable, deep education. This work is our future. This book, filled with story and wisdom, is our guide.

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Emerging Strategies for Supporting Student Learning: A Practical Guide for Librarians and Educators

Allan, Barbara
ALA American Library Association, 2016

Book Review

Tags: librarianship   |   student learning   |   student learning goals   |   student learning outcomes
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Reviewed by: Jim Wilson, Independent Researcher, Fargo, North Dakota
Date Reviewed: June 11, 2017
If you are a librarian or educator engaged in student learning, and are satisfied with the sameness and predictability of current methodologies, read no further. However, if you have need of developing strategies that are up-to-date, relevant, and promote shared perspectives, read on. Emerging Strategies for Supporting Student Learning equips the reader with an arsenal of educational approaches, geared for higher education. They are field-tested, validated by case studies, and ...

If you are a librarian or educator engaged in student learning, and are satisfied with the sameness and predictability of current methodologies, read no further. However, if you have need of developing strategies that are up-to-date, relevant, and promote shared perspectives, read on.

Emerging Strategies for Supporting Student Learning equips the reader with an arsenal of educational approaches, geared for higher education. They are field-tested, validated by case studies, and include both North American and European perspectives.

Like many other researchers focusing on emerging trends in education, Allen echoes the common refrain that today’s rapidly changing society necessitates “new approaches to support student learning” (1). Where this volume finds its niche and wields special power, is its ability to connect across disciplines – amongst librarians, information workers, and classroom instructors. It can also be utilized with students from undergraduate to doctoral level, and in varied settings.

Among the trends included in this text are: student digital literacies, learning and teaching activities, designing face-to-face, blended and online courses, assessment, and issues of lifelong professional development. The chapters are divided into sections that include a concise introduction, subject content, summary, and references.

Allen brings to her research an acute awareness of the challenges faced in higher education, having worked for several years in varied educational settings in the United Kingdom. She might even be faulted for showing too much concern when covering certain settings in minute detail. For example, she reminds us that because educators have so little choice about room allocation, “it is worth visiting it beforehand to check the facilities….This double checking could help you avoid being in an embarrassing situation” (126). This relentless attention to detail can also be viewed as her way of ensuring that such strategies are successfully executed.

Throughout the text, we are encouraged to ask critical questions that will help inform the decisions we make about education strategies. When examining formative and summative assessment, the author offers a multitude of questions that might be asked beforehand, including: Why am I assessing? What type of assessment is better served? And where is the best place to do the assessment? (91-92).

The strategies Allen offers are never dogmatically presented. They are, rather, offered in a smorgasbord manner. They are easily constructed and user-friendly. She encourages the use of ice-breakers, informational graphs, and e-posters at academic gatherings and as a way of allowing material “to be presented in a colorful and imaginative way” (87).

Pedagogic models like flipped classrooms are viewed as a way of maximizing student engagement and which runs counter to conventional approaches to teaching and learning.

Traditionally face-to-face classroom time is spent by a tutor explaining or presenting new ideas, and this may be followed by some activities. In a flipped classroom, students explore the material outside the classroom and then spend time with the tutor clarifying and developing deeper knowledge through discussion and activities. (116)

Keeping up-to-date with professional skills is a high priority for this author. She suggests several digital resources across the spectrum to help make that happen, including the American Library Association (ALA), Flickr Creative Commons, MERLOT, and the National Digital Learning Resource (NDLR) – a “collaborative educational community in Ireland…. interested in developing and sharing digital teaching resources and promoting new teaching and learning culture” (110).

The emerging strategies included in this book bear testimony that education is both evolving by the day and in need of constant need of revision. This book helps us move a little toward embracing good educational practice and relevancy.

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Ensuring the Success of Latino Males in Higher Education: A National Imperative

Saenz, Victor B.; Ponjuan, Luis; and Figueroa, Julia, eds.
Stylus Publishing, Llc., 2016

Book Review

Tags: student diversity   |   student learning   |   teaching diverse students
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Reviewed by: Tim Baldwin, Trinity Evangelical Divinity School
Date Reviewed: November 30, -0001
Why do so few Hispanic males enroll in and graduate from institutions of higher learning? Why are Latinas, by contrast, enjoying so much more success than Latinos? Moreover, why is there a dearth of research addressing these questions? This book, which includes twelve chapters written by leading Latin@ scholars, addresses these questions with the goal of broadening readers’ contextual understanding, deepening their comprehension of the specific challenges faced by Hispanic ...

Why do so few Hispanic males enroll in and graduate from institutions of higher learning? Why are Latinas, by contrast, enjoying so much more success than Latinos? Moreover, why is there a dearth of research addressing these questions? This book, which includes twelve chapters written by leading Latin@ scholars, addresses these questions with the goal of broadening readers’ contextual understanding, deepening their comprehension of the specific challenges faced by Hispanic males in higher education, and securing their commitment to Latino success.

The book’s contributors adroitly explore the complex challenges that Latino males face in the context of American society and higher education. The book’s first two chapters discuss many of the socio-economic factors contributing to the current Latino “crisis” in higher education. They carefully examine the Hispanic gender gap and the ways in which it is manifested along the educational pipeline, alternate life pathways for Latino males (such as military, low-paying labor, prison), and factors that frequently hinder Latinos from enrolling in college (such as lack of financial aid literacy and inadequate academic preparation).

Multiple chapters investigate key cultural factors that significantly impact Latino experiences in higher education. Chapters Four, Five, and Eleven, for example, focus on Latino identity and intersectionality, probing complicated issues (for example, relationships between caballerismo, Latino persistence, and high attrition rates) and introducing humanizing nuances (such as the Latino male privilege paradox). Chapters Two, Seven, Eight, and Nine pose critical questions about the role that familismo plays in hindering and promoting Latino academic success. Those chapters also address other relevant topics such as the unique features of Mexican sub-culture and various forms of Latin@ cultural wealth.

The final section of the book calls on academics to more thoroughly research the crisis pertaining to Latinos in higher education.  Chapter Ten describes research on college administrators’ levels of awareness about the challenges faced by Latinos in academia. Their findings, namely that administrators’ awareness not only varied widely, but also that some administrators resisted acknowledging problem areas altogether, underscore the urgent need for more research. Chapter Eleven suggests that studies which compare and contrast the experiences of Latinos and Latinas might yield much fruit, while the authors of Chapter Twelve advocate for a strengths-based, data rich, interdisciplinary approach to research on Latinos, an approach which is successfully modelled throughout the book.

In conclusion, educational leaders and researchers are sure to find this book – and especially the new research that it presents – a valuable and generative resource. The book’s contributors helpfully shift the research focus from Latino students’ resiliency and deficits to exploration of the social and cultural factors that shape their educational experiences. While the authors do not offer many substantive recommendations for educational programming and practice or directly address issues pertaining to Latinos in graduate education, they do make a strong case for “ensuring that the success of Latino males in higher education” becomes a national imperative. After reading the book, one also hopes that educators will wholeheartedly embrace Latino success as a moral imperative.

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Creative Learning in Higher Education: International Perspectives and Approaches

Watts, Linda S.; and Blessinger, Patrick
Routledge, Taylor & Francis Group, 2017

Book Review

Tags: creative learning   |   pedagogy   |   student learning   |   teaching techniques
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Reviewed by: Jim Wilson, Independent Researcher, Fargo, North Dakota
Date Reviewed: March 29, 2017
Creativity in higher education is oftentimes pigeonholed to certain academic disciplines or perceived as the property of select individuals with an artistic flair. Watts and Blessinger, through their well-crafted anthology, demythologize these and other constructs, by providing readers with a more comprehensive understanding of creativity as an accessible and proactive agent in higher education – past, present, and future According to Watts and Blessinger, “creative learning transcends individual capacities, disciplinary constraints, ...

Creativity in higher education is oftentimes pigeonholed to certain academic disciplines or perceived as the property of select individuals with an artistic flair. Watts and Blessinger, through their well-crafted anthology, demythologize these and other constructs, by providing readers with a more comprehensive understanding of creativity as an accessible and proactive agent in higher education – past, present, and future

According to Watts and Blessinger, “creative learning transcends individual capacities, disciplinary constraints, national boundaries, and institutional barriers” (217). Nonetheless, they also caution against assuming that it can be understood or practiced the same across cultures. Creativity in the classroom demands particularistic pedagogic approaches that reflect the institutional and cultural settings of those served (xvi).

With a primary focus on higher education, the assembled chapter authors reflect different international and interdisciplinary perspectives and bring teaching techniques based on extensive research and experience.

A central theme found throughout this book is that “If all students possess the potential for creativity, then teachers do well to consider how their instructional objectives, curricular designs, learning assessments, and institutional structures reflect that fact” (214).

Within this anthology, the reader is provided with case studies and essays that cover a full range of subject content and pedagogic approaches in varied cultural settings – including “Play and 3D Enquiry for Stimulating Learning,” “A Case Study in Best Practices in Public Higher Learning,” “Creative Approaches to Stimulate Classroom Discussions,” and “Configuring Interdisciplinarity: The Common Core at the University of Hong Kong.”

As a book, it exhibits a dynamic interplay between convention and innovation and reminds the reader throughout how creativity is deeply rooted in the pedagogic theory of all disciplines. It also challenges educators to “foster a climate and culture in which creative learning and teaching are promoted, supported, and valued; a culture that allows experimentation, new ideas, even failure – for what is failure if not an opportunity to learn?” (199).

This book would be a useful resource for any educator regardless of their respective discipline. It helps us to remember that “learning creativity happens when inventive, imaginative, and physical methods are used to explore a subject and harness its practices to new partners” (120). And although the reader may not find each chapter as pertinent as the next, they are given access throughout to seminal texts and issues relating to creativity in higher education. The mantra of this book is – creativity is an activity in which anyone may engage in.

Wabash Center